We visited Oliver Jeffers in his Brooklyn Studio to discuss art, picture books and upcoming projects, all of which challenges us to redefine our understanding of modern day art.
Q: When people ask you what do you do, how do you respond?
A: All of my work is connected in my head, but I think outside of my head people have a hard time understanding. I only have one filter. I tailor the execution depending on what the concept is. The paintings and the picture books have always informed each other, sometimes stylistically, sometimes the color choice, sometimes its concept. I generally consider myself more of an artist [rather] than a storyteller.
Q: How did the children books come about?
A: The children’s book came about secondary. The first thing that happened was “fine art”. I always considered myself to be a painter. Many of the early paintings were about storytelling. I used to play around with words and pictures and try to suggest some kind of moment in narrative in one image by putting the words and pictures together. Then, I came up with this one concept that was of someone trying to physically catch something completely intangible, like a star. I’ve always loved that you can make total impossibilities, possible, with paint and with drawing. I’ve been re-reading a lot of picture books that I enjoyed when I was a kid and I realized that I still enjoy them as an adult. There was sophistication about them, and at that point I realized, yes! – this is what I want to do. Some of my favorite books, are a number of subjects, are in the form of picture books. I think because the economy of it and the suggestiveness and the forces simplicity. You can actually say and make very beautiful powerful points.